Julia Gunther

Monique, 2017/2018
150 x 117 cm
giclée print on archival fine art paper

Gunther_Julia_Monique_2017_17

Monique, 2017/2018
150 x 117 cm
giclée print on archival fine art paper

CJ, 2017/2018
150 x 117 cm
giclée print on archival fine art paper

Gunther_Julia_CJ_2017_16

CJ, 2017/2018
150 x 117 cm
giclée print on archival fine art paper

Ruth, 2012/2018
150 x 117 cm
giclée print on archival fine art paper

Gunther_Julia_Ruth_2012_15

Ruth, 2012/2018
150 x 117 cm
giclée print on archival fine art paper

Terra, 2013/2018
90 x 70 cm
giclée print on archival fine art paper

Gunther_Julia_Terra_2013_14

Terra, 2013/2018
90 x 70 cm
giclée print on archival fine art paper

Dalitso 2, 2017/2018
90 x 70 cm
giclée print on archival fine art paper

Gunther_Julia_Dalitso2_2017_13

Dalitso 2, 2017/2018
90 x 70 cm
giclée print on archival fine art paper

Dalitso 1, 2017/2018
90 x 70 cm
giclée print on archival fine art paper

Gunther_Julia_Dalitso1_2017_12

Dalitso 1, 2017/2018
90 x 70 cm
giclée print on archival fine art paper

Felicia and Joy, 2015/2019
90 x 60 cm
inkjet print mounted on aluminium

Gunther_Julia_Felicia&Joy_2015_11

Felicia and Joy, 2015/2019
90 x 60 cm
inkjet print mounted on aluminium

Zenzele, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

Gunther_Julia_Zenzele_2017_10

Zenzele, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

Thato, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

Gunther_Julia_Thato_2017_09

Thato, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

Nkateko, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

Gunther_Julia_Nkateko_2017_08

Nkateko, 2017/2018
150 x 100 cm
giclée print on archival fine art paper

installation view, 2018
mirko mayer gallery
cologne

Gunther_Julia_installation-view_2018_07

installation view, 2018
mirko mayer gallery
cologne

Fish, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

Gunther_Julia_fish_2019_06

Fish, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

Man with Fish, 2019
inkjet print, mounted on aluminum
60 x 40 cm, framed

Gunther_Julia_Man-with-fish_2019_05

Man with Fish, 2019
inkjet print, mounted on aluminum
60 x 40 cm, framed

Man in Water, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

Gunther_Julia_man-in-water_2019_04

Man in Water, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

Man with Stick, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

Gunther_Julia_man-with-stick_2019_03

Man with Stick, 2019
inkjet print, mounted on aluminum
90 x 60 cm, framed

installation view, 2019
mirko mayer gallery
cologne

Gunther_Julia_installation-view_2019_02

installation view, 2019
mirko mayer gallery
cologne

Man on Boat, 2019
90 x 60 cm, framed
inkjet print, mounted on aluminum

Gunther_Julia_man-on-boat_2019_01

Man on Boat, 2019
90 x 60 cm, framed
inkjet print, mounted on aluminum

inquire

works

ABOUT THE ARTIST

Julia Gunther is a German artist who specialises in documentary projects. Her work centres around a critical approach to prevailing narratives and established ideas, focusing on representational deficits within underrepresented communities. 

Gunther’s latest project - Calendar Girls - is a photographic collaboration chronicling the Miss Calendar Girl Beauty Pageant, an annual competition in Cape Town, South Africa, where trans women compete for the honour of being crowned Miss Calendar Girl.

The pageant is a platform for contestants to portray their true selves. Similar to the famous ‘balls’ featured in the landmark documentary film Paris is Burning, events like these provide a safe environment, a support network, and above all, a sense of community for trans individuals in South Africa. Inspired by the iconic film Priscilla - Queen of the Desert, Gunther teamed up with several pageant participants to co-create a series of portraits on a salt pan outside of Cape Town. 

In her recent series “Fish-For-Sex” Gunther investigates the skewed gender dynamics between fishermen and female fish traders across southern Malawi. What sets this series apart from Gunther’s previous works is that she has, for the first time, incorporated the ‘dominant’ element; creating a dialogue between the ‘oppressor’ and the ‘oppressed’; two sides rarely able to engage in sanctioned confrontation. 

Gunther has worked with ‘unheard’ women for more than a decade; the resulting body of work includes collaborations with environmental, social, LGBTQI and community activists in Sub-Saharan Africa; lesbian and trans activists in Cape Town’s townships; Malawi’s first ever female national cricket team; the Black Mambas, an all-female anti-poaching unit; local communities combatting Nodding Syndrome in South Sudan; transactional sex workers on the shores of Lake Malawi and their Kenyan counterparts on Lake Victoria; sight restoration efforts in Tanzania.

Key to all of Gunther’s work is the role that portraits play in re-examining the visual disassociation which defines so many ‘unheard’ individuals and communities. Can a portrait be truly representative? How can portraiture, so often a medium that has misrepresented the sitter, be used for good, while still maintaining the artist’s aesthetic? Is collaboration the answer? More often than not, the protagonists in her images are women who fight against social, economic or political repression. It is only natural that the images used to represent them and that tell their stories should, above all, reflect the positive change they are trying to bring.

Gunther has worked with ‘unheard’ women for more than a decade; the resulting body of work includes collaborations with environmental, social, LGBTQI and community activists in Sub-Saharan Africa; lesbian and trans activists in Cape Town’s townships; Malawi’s first ever female national cricket team; the Black Mambas, an all-female anti-poaching unit; local communities combatting Nodding Syndrome in South Sudan; transactional sex workers on the shores of Lake Malawi and their Kenyan counterparts on Lake Victoria; sight restoration efforts in Tanzania.

Key to all of Gunther’s work is the role that portraits play in re-examining the visual disassociation which defines so many ‘unheard’ individuals and communities. Can a portrait be truly representative? How can portraiture, so often a medium that has misrepresented the sitter, be used for good, while still maintaining the artist’s aesthetic? Is collaboration the answer? More often than not, the protagonists in her images are women who fight against social, economic or political repression. It is only natural that the images used to represent them and that tell their stories should, above all, reflect the positive change they are trying to bring.

Julia Gunther is a German artist who specialises in documentary projects. Her work centres around a critical approach to prevailing narratives and established ideas, focusing on representational deficits within underrepresented communities. 

Gunther’s latest project - Calendar Girls - is a photographic collaboration chronicling the Miss Calendar Girl Beauty Pageant, an annual competition in Cape Town, South Africa, where trans women compete for the honour of being crowned Miss Calendar Girl.

The pageant is a platform for contestants to portray their true selves. Similar to the famous ‘balls’ featured in the landmark documentary film Paris is Burning, events like these provide a safe environment, a support network, and above all, a sense of community for trans individuals in South Africa. Inspired by the iconic film Priscilla - Queen of the Desert, Gunther teamed up with several pageant participants to co-create a series of portraits on a salt pan outside of Cape Town. 

In her recent series “Fish-For-Sex” Gunther investigates the skewed gender dynamics between fishermen and female fish traders across southern Malawi. What sets this series apart from Gunther’s previous works is that she has, for the first time, incorporated the ‘dominant’ element; creating a dialogue between the ‘oppressor’ and the ‘oppressed’; two sides rarely able to engage in sanctioned confrontation. 

Gulia Gunther / Nick Schonfeld
Download PDF
2021

julia gunther / biography

1979* berlin

2001-2003    
ba film & video studies at university of the arts, london, uk

2003
moved to amsterdam after living in berlin, new york and london

2008 
lived and worked in cape town. since that time regular travels to south africa    

einzelausstellungen | solo shows

2020               
sidestep, fish for sex gallery mirko mayer/ m-projects, cologne, de

2019             
fish for sex & the black mambas, unseen, amsterdam, nl
photography in space, fish for sex, gallery mirko mayer, cologne, de

2018              
recent works: proud women of africa, gallery mirko mayer/ m-projects, cologne, de

2013              
rainbow girls, w1f gallery, amsterdam, nl

2012              
ruthy goes to church, lhgwr gallery, the hague, nl    

gruppenausstellungen | group shows

2021
WDDU Martha & Tim, Festival of Ethical Photography presents World.Photo Award, Italy
The Black Mambas, The Nest Summit for Climate Week, Javits Center, NYC, USA
The Black Mambas, British Journal of Photography’s ‘Decade of Change’, Hong Kong


2020
no sex for fish, photo kiev fair, ua
international photography festival of belo horizonte, calendar girls, br
7th suwon international photo festival, calendar girls & fanny, kr
kuala lumpur international photo award, calendar girls & fanny, my

2019 
ruthy goes to church, photovogue festival, milan, it
the black mambas, month of photography los angeles, usa
chedino, ihlia lgbti heritage, oba, amsterdam, nl

2018
gallery mirko mayer, masterpieces & personalities, the black mambas, cologne, de
chedino, ihlia lgbti heritage, oba, amsterdam, nl
objectifs, chapel gallery, the black mambas, women in photography slideshow, sg
kuala lumpur international photo award, malaysia, the black mambas & busie sandesh: india's first photography festival for transgender community, chedino my / in

2017
festiphoto menthon st bernard, the black mambas, fr
fc barcelona photo awards, malawi eleven, barcelona, es
head on photo festival, ruthy goes to church, museum of sydney, au
taylor wessing portrait prize exhibition, the national portrait gallery, london, uk
sunderland museum and winter gardens, the black mambas, sunderland; the beaney, canterbury, uk

2016
taylor wessing portrait prize exhibition, the black mambas the national portrait gallery, london, uk
fotoweekdc, represent by refinery29, the black mambas, washington d.c., usa
photoville 2016  represent by refinery29, the black mambas, new york, usa
head on photo festival, rainbow girls, museum of sydney, au

2015
chedino & family new york photo festival, the last picture show, ny, usa & seoul, kr
photoville the fence 2015, ruthy goes to church, new york, atlanta, houston, usa
wundermarket amsterdam, ruthy goes to church, nl
kuala lumpur international photo award, chedino, my
ihlia lgbti heritage, chedino & family, oba, amsterdam, nl
blank wall gallery, chedino & family, athens, gr
grid cape town biennial 2015, proud women of africa, sa

2014
new york photo festival, ruthy goes to church & rainbow girls, photoworld 2014, new york, usa
photoville 2014, rainbow girls, alive dutch photography, new york, usa
ihilia lgbti heritage, rainbow girls, oba, amsterdam,nl
kuala lumpur international photo award, ruthy goes to church, my

2013
rainbow girls, black box gallery, portland, or, usa

2012
the art of photography show, ruthy goes to church, san diego, usa 
artworks, ruthy goes to church, glassworks, amsterdam, nl
kuala lumpur international photo award, roos, my
pakhuis wilhelmina, de hard rock karoke, amsterdam, nl